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She Tastes Like Possibility is a potent and powerful collection of poetry for women. By exploring themes of marriage, motherhood, anger and hope, these poems express the universal emotions we all experience.

The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line poem first appeared in the United Kingdom in the October issue of Eliot's The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Eliot's poem loosely follows the legend of the Holy Grail and the Fisher King combined with vignettes of contemporary British society.

Divided into quintets, Up from the Downtrodden offers the possibility of hope to anyone feeling hopeless in the world today. The poems within, culled from a period of inspiration and resurgence after more than a decade of hopeless struggling and despair, honor both the darkness and the light. There is a chance, when the two are integrated, to turn what is bitter in life, sweet. ‘heavy metals’dissociative staring at the wall again they turned up the volume zero calorie heavy metals to defend against they demons

We evolve. As human beings, through the different stages of our lives, we evolve into different versions of ourselves until we get to an age, where we know who we are meant to be. Kiss you love, goodbye the author explores the complexities of adulthood and all of the inner thoughts we have about ourselves and our experiences. Themes of self-discovery, family dynamics, love, loss, trauma, grief, anxiety, depression, healing, and personal growth. The poems in this book span over 30 years of the author's life from her early college years of "Who am I?" to her late 40's of "This is who I am".

The Epic of Gilgamesh is an epic poem from ancient Mesopotamia. It tells the story Gilgamesh, king of Uruk, and Enkidu, a wild man created by the gods to stop him oppressing the people of Uruk. This book also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.

Welcome to Dante's The Divine Comedy, the ultimate journey to Paradise. Follow Italian writer and philosopher Dante Alighieri and his guide, the poet Virgil, through each circle of hell, over the mountain of Purgatory, and ultimately to Paradise, to be reunited with his beloved Beatrice. Dante meets many familiar faces among the sinners and the saved and learns many things of value throughout his long, dangerous journey.

La Vita Nuova (pronounced [la ˈviːta ˈnwɔːva]; Italian for The New Life) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

Self-love is not as simple as it sounds. More than basic self-care practises and everyday indulgences, it is the key to unlocking your inner power and fostering true healing within yourself. With the same welcoming and honest voice—that of an empathetic best friend who’s been through it all—that people know and love online, Ruby Dhal shares her own personal stories and advice. Through Ruby’s gentle words, discover how to harness the power of self-love to transform all aspects of your life.

This debut collection of poems, composed with no thought to commercial publication and discovered by Green Writers Press by happenstance, addresses events in the poet's life that every listener can relate to—friendships, the beginning, middle, and end of romantic relationships, and the death of a loved one. And they do so with “stiletto-sharp” metaphors—“rosebuds stillborn in the falling snow”—and wry observations —“Trying Again: Like an old shoe comfortable for a while but still causing blisters”—that evoke from the listener a knowing nod and sometimes an outright laugh.