Showing titles in Horror

On the day of her wedding to the Crown Prince, Aveline is cursed for helping the wrong person. Not entirely a ghost, she is in between, having no control over what form she takes at any given moment. To break it, Aveline is forced to turn to the man she helped: the ostracised Magic Collector. Sebastian, known to everyone else as The Magic Collector, is shrouded in mystery. His castle disappears, sometimes for months, and then reappears without warning.

"[ Memnoch] is one of Rice's most intriguing and sympathetic characters to date. . . . Rice ups the ante, taking Lestat where few writers have ventured: into heaven and hell itself. She carries it off in top form."( The Seattle Times)

Woody Bookman hasn’t spoken a word in his eleven years of life. Not when his father died in a freak accident. Not when his mother, Megan, tells him she loves him. For Megan, keeping her boy safe and happy is what matters. But Woody believes a monstrous evil was behind his father’s death and now threatens him and his mother. And he’s not alone in his thoughts. An ally unknown to him is listening.

In this heart-stopping installment of the Demon Cycle, humanity continues to struggle against the demon plague - even as survivors hold out hope that the Deliverer will save them all. On the night of the new moon, the demons rise in force, seeking the deaths of two men, both of whom have the potential to become the fabled Deliverer, the man prophesied to reunite the scattered remnants of humanity in a final push to destroy the demon corelings once and for all.

Three low-income families have been given a handsome retainer to join Geraldine Borden for a day at her cliffside estate. All the parents must do to collect the rest of their money is allow their children to test out the revolutionary playground equipment Geraldine has been working on for decades. But there’s a reason the structures in the bowels of her gothic castle have taken so long to develop—they were never meant to see the light of day.

Last summer, sixteen-year-old Will Burgess lost many of the people he loved most. Now he’s imprisoned in the Sunny Woods Rehabilitation Center, a facility for troubled youths. Separated from his surviving loved ones and terrified of a change inside him, Will is tormented by a new group of bullies and a sadistic government doctor. When his only ally, an orderly named Pierre, tells him there have been sightings of winged creatures with glowing red eyes, Will believes him.

Every so often a character so captures the hearts and imaginations of listeners that he seems to take on a life of his own long after the final chapter. For such a character, one book is not enough—listeners must know what happens next. Now Dean Koontz returns with the novel his fans have been demanding. With the emotional power and sheer storytelling artistry that are his trademarks, Koontz takes up once more the story of a unique young hero and an eccentric little town in a tale that is equal parts suspense and terror, adventure and mystery—and altogether irresistibly odd.

The Dark One has finally accepted me...just in time for everything to change. Because Vane’s brother, the Crocodile, has just arrived on Neverland soil, and he’s not alone. He’s brought with him members of the royal Darkland family, and they want Vane’s Death Shadow back at any cost. Of course, Peter Pan, Vane, Kas, and Bash, they’re all familiar with war. But war isn’t easy when love is on the line.

When a copycat murderer prowls among the trees of Ponderosa Springs, our loyalty is tested. It had been foolish of us to believe our revenge would go unpunished. That the town wouldn't retaliate after what we did. With our lives hanging in the balance, Thatcher and I have no choice but to coexist. In the twilight of musty cabins and haunted library towers, my somber secrets are exposed, and his cravings are revealed. So the question is . . . What is love without obsession?

Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

Lovecraft's story regarding a tram conductor whose head transforms into tentacles, recorded in a letter dated November 25, 1927, to Donald Wandrei. The story is currently considered inauthentic, as it is partially not authored by Lovecraft. The content of two letters, one containing 'The Very Old Folk' and the other with this 'work,' Wandrei sold to the publisher of the magazine 'Scienti-Snaps' (later renamed 'Bizarre'), J. Chapman Miske.

In Transsylvanien, der Heimat Draculas, häufen sich unerklärliche Vorfälle. Tiere und Menschen verschwinden in der Nähe der Karpaten spurlos. Die Einheimischen machen den Berg hinter dem Borgo-Pass für das Unheil verantwortlich. Dracula spürt im fernen London eine neue, gewaltige Gefahr heraufziehen, die nicht nur den Zirkel, sondern auch sein eigenes Leben bedroht. Eine alte Macht fordert ihren Tribut. Nachdem Dracula einen Boten ausgesandt hat, erhält er die Gewissheit, dass er selbst gezwungen ist, zu handeln.

Four decades after it first shook the nation, then the world, William Peter Blatty's thrilling masterwork of faith and demonic possession returns in an even more powerful form. Raw and profane, shocking and blood-chilling, it remains a modern parable of good and evil and perhaps the most terrifying novel ever written.

Sisters Sarah and Chloe inherit a house they could never have previously dreamed of owning. It seems too good to be true. Shortly after they move in, however, the siblings start to notice strange things: horrible smells, sudden drops in temperature, as well as unexplainable sounds and feelings of being watched.

Find a gateway to the underworld. Steal a soul out of hell. A simple plan, except people who make this particular journey rarely come back. But Galaxy “Alex” Stern is determined to break Darlington out of purgatory—even if it costs her a future at Lethe and at Yale.

Seventeen-year-old Hajime Nagumo is your average, everyday otaku. However, his simple life of pulling all-nighters and sleeping in school is suddenly turned upside down when he, along with the rest of his class, is summoned to a fantasy world! They're treated like heroes and tasked with the duty of saving the human race from utter extinction. But what should have been any otaku's wet dream quickly turns into Hajime's nightmare. While the rest of his class are blessed with godlike powers, Hajime's job, Synergist, only has a single transmutation skill.

She lives with no name. She has never left her room. All she has ever known is pain and abuse - until now. Today, she will breathe fresh air for the first time, feel sunshine against her skin, and even witness human kindness. But she has a point to make a bleak, violent point and when she meets her neighbour, Serenity, she finds the perfect pupil.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.