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How to Make a Horror Movie and Survive
- A Novel
- Narrated by: Garrett Michael Brown
- Length: 11 hrs and 20 mins
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Publisher's summary
From Bram Stoker Award‑nominated author Craig DiLouie comes a darkly humorous horror novel that sees a famous 80s slasher director set out to shoot the most terrifying horror movie ever made using an occult camera that might be (and probably is) demonic.
Horror isn't horror unless it's real.
Max Maurey should be on top of the world. He's a famous horror director. Actors love him. Hollywood needs him. He's making money hand over fist. But it's the 80s, and he's directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max's slimy producer refuses to fund any of his new ideas.
Sally Priest dreams of being the Final Girl. She knows she's got what it takes to score the lead role, even if she's only been cast in small parts so far. When Sally meets Max at his latest wrap party, she sets out to impress him and prove her scream queen prowess.
But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails.
By the time Max discovers the true evil lying within, he's already dead set on finishing the scariest movie ever put to film, and like it or not, it's Sally's time to shine as the Final Girl.
Critic reviews
"Gory, glorious, and just a little too believable, Craig DiLouie’s latest is a slick meta slasher movie in book form, set in the brutal intersection of art and obsession."—Peter Clines, New York Times bestselling author
“How to Make a Horror Movie and Survive is a blood-spattered homage to horror films, an ode to the craft of filmmaking, and a cautionary tale about the fiery—often destructive—creative passion inside every artist, one that continuously teeters on the brink of insanity. DiLouie has created a celluloid cursed object story that John Carpenter himself would stand up and applaud from the front row.”—Philip Fracassi, author of Boys in the Valley
“A tricky, twisty book with more levels to it than a slasher movie has sequels. DiLouie knows what makes the horror genre tick.”—David Moody, author of the Hater and Autumn series
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Now twenty-four, Hanna is living an outwardly normal life of domestic content. Married to real estate agent Jacob, she’s also stepmother to his teenage daughter Joelle. They live in a beautiful home, and Hanna loves her career as a phlebotomist—a job perfectly suited to her occasional need to hurt people. But when Joelle begins to change in ways that don’t suit Hanna’s purposes, her carefully planned existence threatens to come apart.
By: Zoje Stage
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Cuckoo
- By: Gretchen Felker-Martin
- Narrated by: Amy Landon, Avi Roque, Grace Rolek, and others
- Length: 14 hrs and 17 mins
- Unabridged
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Overall
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Performance
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Story
In the summer of 1995, seven queer kids abandoned by their parents at a remote conversion camp came face to face with it. They survived—but at Camp Resolution, everybody leaves a different person. Sixteen years later, only the scarred and broken survivors of that terrible summer can put an end to the horror before it's too late. The fate of the world depends on it.
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Devils Kill Devils
- By: Johnny Compton
- Narrated by: Imani Jade Powers
- Length: 9 hrs and 45 mins
- Unabridged
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Overall
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Performance
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Story
Sarita has been watched over by a guardian angel her entire life. She calls him Angelo, and keeps him a secret. But secrets can’t stay buried forever. When Angelo murders someone she loves, Sarita begins to see what's really been lurking in the shadows surrounding her. And she will have to embrace the evil within if she hopes to make it out alive. Johnny Compton, critically acclaimed author of The Spite House and master of dread, takes you on a terrifying race of one woman against the hordes of hell.
By: Johnny Compton
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Heads Will Roll
- By: Josh Winning
- Narrated by: EJ Lavery
- Length: 12 hrs
- Unabridged
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Overall
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Performance
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Story
After sitcom star Willow tweets herself into infamy and stumbles blind-drunk into a swimming pool, her agent ships her off to Camp Castaway. Nestled deep in upstate New York, Castaway is a summer camp for adults who are desperate to leave their mistakes behind. No real names, no phones . . . no way to call for help. Willow’s fellow campers seem okay. Her own favorite actress is even here, making a s’more. And did that jaded writer, Dani, just wink at her?
By: Josh Winning
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Midnight on Beacon Street
- A Novel
- By: Emily Ruth Verona
- Narrated by: Christine Lakin
- Length: 7 hrs and 4 mins
- Unabridged
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Overall
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Performance
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Story
When single mom Eleanor Mazinski goes out a for a much-needed date night, she leaves her two young children—sweet, innocent six-year-old Ben and precocious, defiant twelve-year-old Mira—in the capable hands of their sitter, Amy. The quiet seventeen-year-old is good at looking after children, despite her anxiety disorder. She also loves movies, especially horror flicks. Amy likes their predictability; it calms the panic that threatens to overwhelm her.
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The lead character, Amy, is very relatable
- By Crissy W. on 05-02-24
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Witchcraft for Wayward Girls
- By: Grady Hendrix
- Length: 15 hrs
- Unabridged
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Overall
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Performance
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Story
Set in Florida in 1970, Grady Hendrix's newest novel follows a group of young women in a home for unwed mothers who find a guide to witchcraft.
By: Grady Hendrix
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